Mumbai, Jan 30: The Indian Performing Right Society Ltd. (IPRS) is set to return to the Kala Ghoda Arts Festival (KGAF) 2026 with the IPRS Stage, reaffirming its commitment to nurturing original, folk, and regional music within one of India’s most respected multidisciplinary cultural festivals.
More than a performance platform, the IPRS Stage is a purposeful cultural initiative aimed at creating sustained visibility and meaningful engagement for diverse music traditions. By positioning music within the broader artistic dialogue of KGAF—where literature, visual arts, design, and performance converge—the IPRS Stage brings underrepresented musical voices into the public consciousness and fosters deeper audience appreciation.
At a time when digital algorithms increasingly influence music discovery, curated cultural platforms such as the IPRS Stage play a vital role in offering context, authenticity, and human connection. The initiative bridges generational and regional divides, enabling audiences to experience tradition-rooted and original music in a contemporary festival setting, while providing artists with credibility, reach, and new avenues for connection.
The IPRS Stage at KGAF 2026 will feature two distinctive performances that reflect this vision:
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1 February 2026: Goa-based band Black Sapphire will showcase regional language music on a national cultural platform, highlighting the resonance of local voices when given the right exposure.
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6 February 2026: Abhijit Pohankar’s Global Varkari Project will present the rich Varkari devotional tradition through a modern sonic framework, demonstrating how heritage can evolve while retaining its essence.
Speaking on the importance of such platforms, Alison Gonsalves, Lead Singer and Songwriter, Black Sapphire, said,
“Original music is deeply personal, especially when it comes from a regional language and lived culture. Platforms like the IPRS Stage at Kala Ghoda validate our work and help audiences connect more deeply with the stories and identities behind the music.”
Maestro Abhijit Pohankar, classical pianist, fusion music producer, and conceiver of the Global Varkari Project, added,
“The Varkari tradition emphasizes devotion, social equality, and righteousness through music. Presenting this ancient form with a modern sound allows it to remain relevant today. Platforms like the IPRS Stage ensure that folk and traditional music are experienced with dignity, relevance, and respect.”
Highlighting IPRS’s broader vision, Mr. Rakesh Nigam, CEO, IPRS, said,
“Platforms like the IPRS Stage are essential to sustaining India’s musical diversity. By partnering with festivals such as the Kala Ghoda Arts Festival, we create spaces where artists can be discovered and audiences can engage meaningfully with the cultural roots of our music.”
Brinda Miller, Hon. Festival Director, Kala Ghoda Arts Festival, noted,
“KGAF has always stood for artistic integrity and cultural diversity in the public sphere. The IPRS Stage furthers this vision by spotlighting original and tradition-rooted music, inviting audiences to engage with music as a reflection of identity, history, and creative purpose.”
As the Kala Ghoda Arts Festival continues to serve as a vibrant meeting point for India’s creative communities, the IPRS Stage stands as a powerful model of how cultural institutions can support artists, educate audiences, and ensure that India’s rich musical legacy is preserved, celebrated, and carried forward into the future.


