Stunning Arangetram by Shreenidhi and Shivani

Hyderabad, 26 May 2025Shankarananda Kalakshetra, a leading dance institution presented a brilliant arangetram of Kumari Shreenidhi Ramaswamy & Kumari Shivani Nambiar, today at Ravindra Bharathi Hyderabad. The evening graced by eminent dignitaries from the world of classical dance including Dr. Rajeswari Sainath, acclaimed Bharatanatyam exponent and Director, Sruthi Laya Kendra Natarajalaya; Shri G. V. Anna Rao, Convenor, Natya Swara Art Critic; Shri Mithun Shyam, renowned Bharatanatyam dancer and Director, Vaishnavi Natyashala. Connoisseurs of dance and art warmly came to witness this celebration of tradition, talent, and tenacity.

Disciples of Dr Ananda Shankar Jayant, Director Shankarananda Kalakshetra, the two young dancers, struck a chord with the audience from the very first moments.

Ananda Shankar Jayant’s productions are eagerly awaited by audiences as she is known for always to push the bar, making it a delight to watch. This time too, Guru Ananda, presented the Arangetram in a very interesting way.

The Arangetram became an immersive experience, into the magical world of Shiva and Vishnu through Bharatanatyam, Carnatic music and the devotional poetry of the many vageyyakaras. The first half of the program was dedicated to Lord Shiva and was titled ‘Parvati Shankara Namostute’.

The two dancers dressed in striking purple entered the stage in a brisk Pushpanjali, that then segued into a rare Shyama Sastry Kriti on Goddess Parvati.

Guru Ananda, by weaving swaras into the Kriti, presented it in the format of a combined Jathiswaram and Sabdam following the Margam format, that brought the beautiful Goddess Parvati and Her attributes to the audience, with crisp nritta and simple expressions

From Parvati the dancers then took the audience to Lord Shiva, in the next piece, the magnum opus, the Varnam on Lord Shiva. Studded with complicated jati patterns and intricate mathematical calculations, this Varnam was a test of the dancers’ dedication, talent and performance. Both Shreenidhi and Shivani rose to the challenge, with an impeccable performance, embellished with statuesque Nataraja postures, split second tala precision, and nuanced Abhinaya. The well trained and polished dancers delivered perfect and synchronized movements especially in the thrilling Ardhanareswara Jati in the second half of the Varnam, that had the audience clap repeatedly. Guru Ananda Shankar Jayant, wielding the Nattuvangam with elan, was a delight to listen to.

The second half took the audience to Vishnu and 5 Vaishnava Kshetras. Titled ‘Pancha Vaishnava Kshetra Darshanam’ the young dancers, led the audience to 5 revered Vaishnava Kshetrams – Tirumala, Srirangam, Udupi, Guruvayoor and Thiruvananthapuram, dancing to the songs composed in the language of the region by devout vaggeyakaras of the respective kshetra

Beginning with Tirumala, the segment opened with the devotional prayer ‘Srinivas Govinda’ on everyone’s lips as the dancers climbed the Tirumala hills with specially choreographed movements to resemble climbing. There at Tirumala, Vaggeyaykara Annmacharya sings to His Beloved Sri Venkateswara in Telugu

Annamayya is wonderstruck at the many vahanas, or vehicles that the Lord travels on! He asks the Lord.  ‘How did You ever learn to ride so many vehicles? You flew on Garuda, to bring the Parijata tree, you rode the chariot to kill Kamsa, you travel on a horse to put an end to Adharma, and on the Seven hills you travel in a palanquin! How did You learn to ride so many vehicles?’ to an Annamacharya song Ettu Nerichitivaya inni vahanamula ekka composed by Late Sathiraju Venumadhav

Tirumala then gave way to Srirangam the abode of Sri Ranganathaswamy Temple, where the poet Arunachala Kavi is perplexed to see the lord reclining and asks ‘Why are you reclining O Ranganatha? En Palli kondeerayya he asks in Tamil and recounts the probable scenes from the Ramayana that may have caused Ranganatha to be tired and hence for Him to recline. A timeless song was brought to life in a wonderful solo by Shreenidhi. She embodied every character in the Ramayana in short cameos, with beautiful Abhinaya and body kinetics. Switching with ease between various rasas, Shreenidhi’s abhinaya was excellent.

Shivani then took the audience to Udupi, through a nuanced rendition of the evergreen Dasarnama of Kanakadasa, in the language Kannada, Baaro Krishnayya.

Shivani became the indulgent mother, getting little Krishna dressed segueing seamlessly into the devotee and poet asking Krishna to bless her. The involved and internalized emotions, took the audience into the magical world of Krishna, and was a tour de force.

The dancers then travelled to Guruvayur, in a poignant ‘Oru Neramenkilum’, a popular composition of T.S. Radhakrishnan in Malayalam.

Set in the form of a slow prayer, the audience could palpably witness the bhakti, embedded in the lyrics, portrayed beautifully by the two dancers.

The grand finale was the filigreed depiction of the 5th Kshetram Tiruvananthapuram, where the reclining Sri Padmanabhaswamy, is seen by devotees through three doors, concluding in an evergreen Thillana of Swati Tirunal in Dhanasri

The involved and bhakti laden performance by the two dancers Shreenidhi and Shivani, transported the audience to the five Vaishnava Kshetras

With soulful and bhava laden music by Sweta Prasad, Mridangam by TP Balasubramaniam, Violin by K Saikumar and Flute by Uma Venkateswarulu, held together impeccably by Guru Ananda Shankar Jayant,  the Arangetram was truly a rasikas delight, scoring on theme, content, performance, aesthetics  and laid out a new path for younger dance gurus, as mentioned by the Guests – Dr Rajeshwari Sainath, GV Anna Rao and Mithun Shyam.

Dinesh Vijan’s Maddock Films and Sony Music India’s Bhool Chuk Maaf’s Album Out Now

National, 26th May 2025: After riding high with an overwhelming response to the film and its chart bursting bangers like Koi Naa, Chor Bazari Phir Se, Sawariya Tera, Ting Ling Sajna and Hutt BadmaashBhool Chuk Maaf now drops the music album. The film directed by the talented Karan Sharma and produced by the visionary Dinesh Vijan under Maddock FilmsBhool Chuk Maaf features the dynamic duo Rajkummar Rao and Wamiqa Gabbi as Ranjan Tiwari and Titli Mishra, the film has already struck a chord with audiences. Now, with the album dropping, you get to feel every bit of Ranjan and Titli’s journey in melody, lyrics, and beat.

Whether you’re falling in love, dancing with your loved one, or spinning through shades of emotion in between, this album has you covered. It’s got the drama, the nostalgia, the love, the chaos, and the calm. The album composed by Tanishk Bagchi and penned by Irshad Kamil, it kicks off with the sensationally loved ‘Koi Naa’ brought to life by the soulful voices of Harnoor and Shreya Ghoshal and from there, it’s a full-blown musical ride. Nostalgia gets a vibrant twist in ‘Chor Bazari Phir Se’, bringing that old flame energy with Sunidhi Chauhan and Neeraj Shridhar’s vocals, and composed by the powerhouse combo of Pritam and Tanishk Bagchi.

While Sawariya Tera takes a soft, romantic plunge with a melodic medley of Raghav Chaitanya, Varun Jain, Suvarna Tiwari, Pravesh Mallick, and Priyanka Sarkaar. On the high-energy end, ‘Ting Ling Sajna’ turns up the tempo with Madhubanti Bagchi Tanishk’s vocals, a dance number featuring Dhanashree Verma. Want a moment alone with your thoughts, Ganga Kinare, a quiet, emotional breather that feels like a love letter sung by Jubin Nautiyal, is that one song that hits different.

‘Hutt Badmaash’ adds a cheeky punch to Ranjan’s misadventures, sung by Noor Singh (Chidi) & Pravesh Mallick, produced by Karta, Param Raj & Tanishk Bagchi. While ‘Maahi Mera’ brings back the butterflies with Suvarna Tiwari’s fresh vocals produced by Aishwarya Tripathi along with Tanishk Bagchi.

“Each track in the album captures the sentiment of the film. Bringing these songs to life was an absolute joy, and having such a supportive team made the whole journey even more special,” shared Rajkummar Rao

Wamiqa Gabbi, added, “Each track in Bhool Chuk Maaf felt like an extension of our characters. I have been hooked to the songs of our movie album that echoes Ranjan & Titli’s love-struck energy. And of course, the songs were pure joy to shoot”

Speaking on the creation of the album, Tanishk Bagchi expresses, “Our songs are nothing less than a joyride, just like love. I wanted each track to feel like a different heartbeat of a pure relationship crossing boundaries & transcending all the struggles yet being spontaneous throughout the journey. Working with all the legendary singers & re-imagining the iconic songs with a modern twist, I feel honoured. I hope the audience feels every beat of emotion I’ve tried to convey through the album.”

“Every song in this album is a memory waiting to be made. I wrote the lyrics with the belief that love is never perfect but always worth it. These words are meant to stay with you, just like Ranjan and Titli’s story.” shares Irshad Kamil, the lyrical soul behind the album

Bhool Chuk Maaf unfolds the story of Ranjan and Titli’s love urging to uncover the reason behind the endless cycle to set things right and take audiences on a ride of emotions. It also promises to be the perfect blend of fun, suspense and romance. With a musical range that spans passion, playfulness, and pain, the Bhool Chuk Maaf album is not just a soundtrack, it’s a story that will be felt, danced to, and most of all remembered.

PVR Nest Hosts Leading Women Lawyers for an Exclusive Screening of Phule

National, May 23 2025— In alignment with PVR NEST’s mission to advance safety, protection, and empowerment for women—including through legal aid and capacity-building initiatives—a special screening of Phule was hosted for leading women lawyers, celebrating the enduring legacy of Jyotirao and Savitribai Phule and their fight for justice and equality.

The screening, organized at PVR INOX DLF Promenade Mall, Vasant Kunj, was graced by the presence of Ms Shobha Gupta, Senior Advocate and Founder of We, The Women of India, who reflected on the significance of the film for the legal community.

Speaking on the occasion, Ms Shobha Gupta“Phule is not just a story of two incredible reformers—it is a call to conscience for every upholder of justice. As lawyers, we are constantly seeking inspiration from those who have fearlessly challenged oppressive systems. This film is a powerful reminder of our responsibility to fight for dignity, education, and equality for all.”

The screening was highly appreciated by the legal community present on the day for its insightful and thought-provoking storytelling.

“We are happy to welcome women lawyers and leaders into our cinemas for this special screening.. Through PVR NEST, the CSR arm of PVR INOX Limited, we create programs focused on the safety and protection of women, including empowerment through skilling and access to legal aid. Hosting this screening for women lawyers is a meaningful extension of that mission—fostering solidarity, inspiring reflection, and supporting those who champion justice every day,” said Ms. Deepa Menon, Founder – PVR NEST and Sr. Vice President – Corporate Communications, PVR INOX Limited.

The initiative was made possible through the support of  Adv, Amita Joseph, Advisor BCF, who played a pivotal role in bringing together legal professionals for the screening. “It is heartening to see the legal community come together to honour a story rooted in courage, conviction, and compassion. Phule resonates across generations, and this gathering is a testament to the enduring power of collective thought and purposeful partnerships.” Ms Joseph said.

With powerful performances and evocative storytelling, Phule sheds light on the profound contributions of Jyotirao and Savitribai Phule—social reformers who challenged caste and gender discrimination and pioneered educational reform in 19th-century India.

PVR Nest Hosts Leading Women Lawyers for an Exclusive Screening of Phule

National, May 23 2025— In alignment with PVR NEST’s mission to advance safety, protection, and empowerment for women—including through legal aid and capacity-building initiatives—a special screening of Phule was hosted for leading women lawyers, celebrating the enduring legacy of Jyotirao and Savitribai Phule and their fight for justice and equality.

The screening, organized at PVR INOX DLF Promenade Mall, Vasant Kunj, was graced by the presence of Ms Shobha Gupta, Senior Advocate and Founder of We, The Women of India, who reflected on the significance of the film for the legal community.

Speaking on the occasion, Ms Shobha Gupta“Phule is not just a story of two incredible reformers—it is a call to conscience for every upholder of justice. As lawyers, we are constantly seeking inspiration from those who have fearlessly challenged oppressive systems. This film is a powerful reminder of our responsibility to fight for dignity, education, and equality for all.”

The screening was highly appreciated by the legal community present on the day for its insightful and thought-provoking storytelling.

“We are happy to welcome women lawyers and leaders into our cinemas for this special screening.. Through PVR NEST, the CSR arm of PVR INOX Limited, we create programs focused on the safety and protection of women, including empowerment through skilling and access to legal aid. Hosting this screening for women lawyers is a meaningful extension of that mission—fostering solidarity, inspiring reflection, and supporting those who champion justice every day,” said Ms. Deepa Menon, Founder – PVR NEST and Sr. Vice President – Corporate Communications, PVR INOX Limited.

The initiative was made possible through the support of  Adv, Amita Joseph, Advisor BCF, who played a pivotal role in bringing together legal professionals for the screening. “It is heartening to see the legal community come together to honour a story rooted in courage, conviction, and compassion. Phule resonates across generations, and this gathering is a testament to the enduring power of collective thought and purposeful partnerships.” Ms Joseph said.

With powerful performances and evocative storytelling, Phule sheds light on the profound contributions of Jyotirao and Savitribai Phule—social reformers who challenged caste and gender discrimination and pioneered educational reform in 19th-century India.

Shemaroo Umang’s Badi Haveli Ki Chhoti Thakurain Hits 100 Episodes; Cast Celebrates Big Moment

The atmosphere on the set of Shemaroo Umang’s Badi Haveli Ki Chhoti Thakurain is buzzing with excitement as the show joyfully celebrates the completion of 100 episodes! A fresh and unique story at the core, it quickly won over the hearts of viewers. Now, everyone—from the cast to the crew is coming together to mark this special milestone with happiness and warm emotions.

The show breaks away from the usual saas-bahu drama and tells the story of two strong women—Chamkili, the clever and ambitious jethani who started as a house-help and now aims to control the entire haveli, and Chaina, the simple but smart devrani, who entered the haveli as the Chhoti Thakurain, to save the haveli and keep her family together.

Diksha Dhami, the lead actress playing Chaina, shared warmly, “My journey in Badi Haveli Ki Chhoti Thakurain has been very interesting. From disliking Jaiveer to falling in love with him, to transitioning from Chaina to Raseeli, the whole experience has been amazing. I’m so grateful the audience has connected with the jugaadu nature of Chaina. Completing 100 episodes fills me with so much happiness and pride. This milestone is the result of Everyone’s hard work—actors, spot boys, and the entire crew—I’ve learned a lot along the way and feel truly thankful. Thank you for being part of this journey—we’re excited.

Actor Sheel Verma, who plays Jaiveer, expressed his excitement, saying, “What began with a bunch of strangers five months ago has now turned into one big family. We spend so much time together on the set, and it truly feels like home. Hitting the 100-episode mark is a huge moment for all of us! This show not only gave me a character like Jaiveer but also gifted me some unforgettable memories—especially my Pushpa makeover! I’m also lucky to have mentors like Raghuveer sir and Dilip sir, who’ve learned so much from them. I hope this is just the beginning—there’s a long way to go and many more milestones to cross.”

Actress Ishita Ganguly, who plays the fiery Chamkili, added, “Chamkili jab chamakti hai na, toh acche-acchon ke bulb fuse ho jaate hain! And it looks like Chamkili ki Chamak has truly reached the audience’s hearts—here we are celebrating 100 episodes! Honestly, it feels surreal. I remember the early days, the mock shoot, script readings, and those chilly shoots in Rajasthan, and now look how. I’m genuinely grateful to be part of this amazing team, and Shemaroo Umang for making this journey so special.

With strong characters and a gripping story, Badi Haveli Ki Chhoti Thakurain keeps audiences hooked. Catch the show every Monday to Saturday at 9:00 PM, only on Shemaroo Umang.

Fasten your seatbelts!! SpiceJet joins Amazon MX Player’s Realme Hip Hop India S2 for an innovative in-flight hip-hop safety demonstration featuring Malaika Arora

Mumbai, India – May 23 2025: The hip-hop fever just hit cruising altitude as Amazon MX Player’s dance reality series Realme Hip Hop India Season 2 is taking the genre to new heights—literally, with a bold, innovative, and playful partnership with SpiceJet. The creative campaign turns a routine in-flight safety demonstration into an electrifying hip-hop performance, led by none other than Malaika Arora.

Decked up in SpiceJet’s cabin crew uniform, Malaika swaps the judge’s panel for the airplane aisle, leading passengers through safety instructions with style, swagger, and dynamic choreography. Launched with the punchy line, “Kripiya Dhyaan DJ,” the campaign infuses traditional safety guidelines with a hip-hop flavour— complete with disco lighting, stunning cinematography, and cheeky moments, that turns a standard airline announcement into a must-watch performance. Capping off the film is a CGI shot of a SpiceJet aircraft emblazoned with the Realme Hip Hop India Season 2 branding— bringing together entertainment and aviation like never before.

Aruna Daryanani, Director and Business Head, Amazon MX Player, shared “At Amazon MX Player, we’re always looking to innovate and to take our stories beyond the screen into the real world in exciting and meaningful ways. Our partnership with SpiceJet is a testament to that vision. Just as Realme Hip Hop India S2 reimagines the dance reality genre, this collaboration transforms an everyday airline routine into a bold, unforgettable hip-hop experience. It’s a reflection of our commitment of creating content that’s immersive, entertaining, and culturally resonant.”

Sharing her excitement on the innovative campaign, Judge Malaika Arora expressed, “This campaign with SpiceJet was unlike anything I’ve done before. We took something passengers often overlook and turned it into a full-blown performance that aims to keep everyone on the edge of their seats with absolute attention! Hip-hop is about freedom of expression while having fun, and this campaign gave me a perfect stage to express that on a fresh canvas.”

“We are thrilled to partner with Amazon MX Player and Malaika Arora to reimagine safety awareness in a bold, modern way,” said Debojo Maharshi, Chief Business Officer, SpiceJet. “At SpiceJet, we have always believed that flying should be memorable – but also safe. ‘Kripiya Dhyaan DJ’ celebrates 20 years of trailblazing moments while reminding our flyers, in a creative and engaging way that safety is always paramount.”

This campaign marks another key milestone in Amazon MX Player’s ongoing mission to build innovative brand partnerships that bring fresh, unique, and impactful content to life. Realme Hip Hop India S2 celebrates raw talent and the powerful voices driving India’s hip-hop movement. With Remo D’Souza and Malaika Arora on the judging panel, record-breaking viewership, and exhilarating performances, the show continues to break boundaries and capture the imagination of viewers nationwide.

How KULL Quietly Climbed to the Top of India’s OTT Charts

In a content-saturated world where new shows drop every week and audience attention is fleeting, it’s rare for a series to break through the clutter — let alone dominate the conversation. But KULL, the latest web series to quietly premiere and then roar its way to the top, has done just that.
Earlier this month, KULL made headlines by topping the Ormax OTT Audience Report, clocking in at 3.1 million viewers and earning the title of India’s #1 web series. It wasn’t part of a massive marketing blitz, nor did it ride on the back of blockbuster names. What set it apart was something far less flashy, but perhaps more enduring — a gripping story told with honesty and intensity.
Set in a world where morality often clashes with survival, KULL doesn’t handhold its viewers or glamorize its characters. Instead, it dives headfirst into the murky waters of human choices and consequences. The performances are restrained but powerful, the narrative unspools with purpose, and the emotional core never lets up. It’s the kind of storytelling that lingers — unsettling at times, but always real.
Interestingly, KULL marks the third strong digital outing in a row for Balaji Telefilms — following the youthful chaos of Power of Paanch and the eerie unpredictability of Dus June Ki Raat. Each of these shows explored very different themes, yet shared a common thread: a focus on character-driven plots over spectacle.
What’s striking is how Balaji, a production house long associated with high-voltage television drama, seems to have found its rhythm in the quieter, moodier space of streaming content. The transition hasn’t been loud, but it’s been effective — and viewers are clearly responding.
If anything, KULL’s success is a reminder that in the age of OTT, audiences are craving substance as much as style. And sometimes, it’s the show that doesn’t shout the loudest that ends up making the biggest impact.

Bittu Bahanebaaz Premieres on Sonic – Where Laughter Reigns and Imagination Rules

India, 22 May, 2025JioStar Kids, the unrivaled leader in kids’ entertainment, has brought to life an extremely relatable world of a 10-year-old master of bahanas in its brand-new show Bittu Bahanebaaz, currently airing on Sonic daily at 12:30 PM with repeats at 9 AM and 7 PM, and same day drops on JioHotstar.

The show follows the adventures of Bittu, a bright and quick-witted 10-year-old who always comes up with hilarious and imaginative excuses to wriggle out of everyday challenges. Packed with humour and relatable moments from daily life, this series celebrates the playful side in all of us because let’s face it, there’s a little bit of Bittu in everyone! With a world where rules bend and creativity wins, Bittu’s antics are sure to entertain kids and families alike. Adding even more relatability to the show is its catchy title track, beautifully written by the legendary Gulzar Sahab, perfectly bringing Bittu’s vibrant world to life.

JioStar Kids Network has been a pioneer in bringing Indian kids closer to stories and characters that feel like friends. With shows like Motu Patlu, Chikoo aur Bunty, Pinaki & Happy – The Bhoot Bandhus, Rudra, the network has won the hearts of kids and families and Bittu Bahanebaaz is the latest local gem to join this ever-growing set of shows.

Bittu Bahanebaaz is currently airing on Sonic daily at 12:30 pm and will also be available on JioHotstar!

Kanika Tekriwal Embodies Power and Grace in Anamika Khanna at the Cannes Film Festival

Kanika Tekriwal

20th May, 2025, New Delhi – Kanika Tekriwal, Founder & CEO of JetSetGo Aviation and a trailblazing force in India’s private aviation sector, made a striking red carpet appearance at the 78th Cannes Film Festival.

Wearing a regal creation by iconic Indian designer Anamika Khanna, Kanika stunned in a hand-embroidered gold Durga cape paired with a structured gharara. The look steeped in symbolism and finesse, was brought to life with a bold mix of jewellery by Roma Narsinghani and Studio Metallurgy.

The ensemble paid homage to tradition while exuding fearless modernity.

Kanika Tekriwal

As the visionary behind JetSetGo, often dubbed the “Uber of Indian skies,” Kanika’s debut at Cannes is a celebration of both cultural identity and entrepreneurial spirit. Her red carpet presence marks a compelling moment where design, ambition, and representation converge on a global platform.

Bold, dynamic, and unapologetically original, Kanika’s Cannes appearance reinforces her role as a new-age leader redefining luxury, mobility, and the global narrative of Indian women in business and culture.

Devangi Nishar Parekh Champions Indian Fashion with a Powerful Red Carpet Debut at Cannes Film Festival

20th May, 2025 – New Delhi —Managing Director of Aza Fashions, Devangi Nishar Parekh, made a historic debut at the 78th Cannes Film Festival, spotlighting the strength and sophistication of Indian fashion entrepreneurship on a global stage.

Devangi Nishar Parekh

 

More than a moment of personal achievement, Devangi’s red carpet appearance at Cannes was a bold affirmation of India’s evolving Design — and the critical role women are playing in driving it forward. As a second-generation entrepreneur and one of the most influential voices in India’s luxury fashion industry, Devangi brought with her not just style, but purpose. Under her leadership, the platform has become a launchpad for emerging designers and a powerful
advocate for homegrown talent.

Wearing a custom handcrafted metallic cord concept saree by acclaimed designer Rimzim Dadu, Devangi’s look blended sculptural innovation with timeless elegance — a fitting metaphor for her journey with Aza Fashions, India’s premier multi-designer platform that champions homegrown labels and emerging talent. Complementing her outfit, Devangi adorned sustainable, lab-grown diamond jewellery from Araiya by Aza, reflecting her commitment to responsible luxury and modern craftsmanship.

But this wasn’t just about the outfit or jewellery. Devangi’s presence on one of the world’s most prestigious cultural platforms marked a significant moment for Indian retail, fashion entrepreneurship, and the representation of South Asian women in global luxury spaces. Devangi joined a cohort of global changemakers and creative leaders, spotlighting South Asia’s rising influence at one of the world’s most prestigious cultural events. In doing so, she carried forward a vision rooted in innovation, inclusion, and heritage — bringing Indian craftsmanship and entrepreneurial ambition to a world stage that is finally ready to listen.

Devangi Nishar Parekh

 

“For me, Cannes wasn’t just a red carpet — it was a platform,” Devangi shared. “A platform to represent Indian creativity, craftsmanship, and the quiet strength of women entrepreneurs who are transforming industries from within. Walking that carpet, I carried not just a designer look and sustainable jewellery, but also the stories of hundreds of Indian designers and artisans who are ready for the world stage.”

Over the past decade, Devangi has been instrumental in shaping how luxury retail in India looks and feels — building Aza into a space that balances commercial success with community impact. Her support of innovative design, women-led labels, and ethical luxury has positioned her as a leader who understands both business and culture.

Poised, driven, and visionary, Devangi Nishar Parekh’s Cannes debut was not just a celebration of fashion, but of what’s possible when passion meets purpose. As Indian design continues to gain global recognition, voices like hers will continue to lead the way — not just with what they wear, but with what they build.